my work spans music, film, live performance, and installation, realised as a single, continuous audiovisual language.

over more than fifteen years, this has resulted in five long-form audiovisual albums, four visually authored album releases, and a series of digital and physical concert installations. these works are interconnected.

Jonna Lee
early solo releases (2006–2009), my debutant years as a songwriter and recording artist.

2007 - 10 pieces / 10 bruises (album)
2008 - This War (EP)
2009 - This is (album)

iamamiwhoami
a long-form audiovisual project developed in relation to its audience. non-autobiographical and ongoing since 2010.

2010 - bounty (audiovisual album)
2010 - IN CONCERT (digital concert installation)
2012 - kin (audiovisual album)
2014 - BLUE (audiovisual album)
2015 - CONCERT IN BLUE (digital concert installation)
2022 - Be Here Soon (audiovisual album)
2025 - STILL BLUE (continued audiovisual album)

ionnalee
authored solo work encompassing music, visual albums, installations and live performance, ongoing since 2017.

2018 - EVERYONE AFRAID TO BE FORGOTTEN (audiovisual album)
2019 - REMEMBER THE FUTURE (album)
2020 - KONSERT (digital concert installation)
2020 - KRONOLOGI 1 (mixtape)
2020 - isolation live in Ödeshög (audiovisual session from home)
2024 - CLOSE YOUR EYES + BLUND (bilingual album eng/swe)
2024 - KRONOLOGI 2 (mixtape)
2024 - residency FOTOGRAFISKA Stockholm (physical live concert installation)
2025 - STILL BLUE (continued audiovisual album)
2025 - BLUE IN CONCERT (physical live concert installation)

LABEL
To whom it may concern.
label@twimc.se

PUBLISHING / LICENSING
BERT'S SONGS / UMPG
daniel@d-e-f.com

BOOKING - WORLD
Nico Holroyd
OUTSIDE ARTISTS
nico.holroyd@twimc.se

BOOKING - US/CA
Lucas Lendenbaum
PINNACLE ENTERTAINMENT
lucas@pinnacleentertainmentinc.com

COLLABORATIONS & REMIXES
To whom it may concern.
label@twimc.se

PRESS
ELEFELT PR
Amanda Elefelt
amanda@elefelt.com

I’ve finished a project I’ve been working on for fifteen years. It’s called MOUTH OF A RIVER. It will be released during spring til summer and tonight the first song from it arrives. It’s a three part interconnection album project that I began working on after we made ’bounty’ in 2011. iamamiwhoami was then an experimental temporary project and we had not yet decided on a continuation. I was then newly separated and broken hearted, living in a temporary sublet. I had limited gear to work with, a SM58 mic and a small AKAI midi keyboard, my ears, imagination and voice. I tried to reimagine my solo career. After years of working anonymously with iamamiwhoami I felt isolated, but rebooting gave me this burst of creative flow. I envisioned myself stranded on an island, unreachable but also untouchable and began writing what would become a massive body of work. My confidence in my solo production skills was quite low then as I was still a beginner at electronic music. But also, I had no rules to follow. The illustrator Jan Scharlau (lovingly remembered as SUTS to some) and I met during our ’IN CONCERT’ installation. We became email friends and he came to visualise this project as we worked for over a year on MOAR together. iamamiwhoami then had a continuation and we made ’kin’ in 2012. I set MOUTH OF A RIVER aside. As I moved forward, parts of it shaped my other works, like ’BLUE’, which is built on the conceptual world of MOAR, like a 2.0 version. I thought then I would never return to MOAR. But it stayed with me and I’ve kept working on it between projects since. It grew into three albums that I’ve written, played all instruments on, produced, mixed and mastered. It is a triumf for me to feel confident enough to complete the work the way I saw it in my head. A year ago I began working intently on it and I decided that after all this time, it’s ready.